The Life and Afterlife of Eurydice and Orpheus in Opera (Review)

By: Talia Walters ‘20

When I was in high school, the theater group put on a performance of Eurydice, and in the production, I played a stone. If you’ve never seen Sarah Ruhl’s telling of the Orpheus myth, then I’m sure that sounds just as exciting as playing a tree in your elementary school play, but I promise that the stones are characters with lines. It was probably my favorite show that I was in, so when I saw Sarah Ruhl was coming to a Visions and Voices event to talk about the world premiere of the new version of her show, I couldn’t say no. It wasn’t until after I reserved my tickets that my friend pointed out that it was in fact the “LA Opera,” and so the new version was an entirely different, operatic version of the show that I wouldn’t recognize. I have no knowledge of the opera or how to talk about operatic music, but I was still determined to go. So, here’s a review of “The Life and Afterlife of Eurydice (and Orpheus) in Opera” from someone who has never been to an opera before in her life.